Illuxcon 3!!!

Back from IlluXcon 3, exhausted but exhilarated! Here are my highlights:

We (my fiance Chris and I) drove up with my good friend Cynthia Sheppard, who at the last minute got a table in the MAIN SHOW! As you can imagine, my little Ford Explorer was packed with art!







It was absolutely wonderful to not only catch up with people I'd met last year, but to really get some good "hang out" time with a number of them.

It was especially wonderful the number of meals we were able to coordinate on. The kick-off dinner at Red Lobster on Thursday night was especially huge, in attendance: Lauren Cannon, John Stanko, Cynthia Sheppard, Laura Diehl, Chris Kozlowski, Joe Slucher, Chris Simmons, Mike Sass, Aaron Miller. Great conversation and much portfolio trading. And fishies. I got cedar planked salmon. =^_^= For many of the other meals Chris & I munched alongside Joe Wilson, Tanja Wooten, Cynthia Sheppard and Mike Sass...who are fellow wave critique group members and all around great people. We made it a rule never to dine alone and it made the IlluXcon experience all the richer.



There were some wonderful panels and demonstrations this year. Highlights included Donato's panel on abstraction and realism.....where everything was dead on the beach. Donato is a very entertaining speaker and absolute hilarity, on top of being a master in his field. Bob Eggleton's oil painting demo was great -nothing like seeing a master go from nothing to masterpiece in 2 hours time! There were also a couple really good "business" oriented talks, including one by Dave Seeley.

The Showcase grew exponentially from last year. No longer held in the dark atrium and barely attended, this years was moved to the bigger, brighter, Ramada ballroom. There were at least 3x the amount of tables and easily 10x the interest and attendance. It was great to have the main show closed while the showcase ran, and lovely that it was held both Friday night and Saturday morning. So a ton of great energy to be had and many a talented artist in participation. One of my favorite encounters was meeting a fellow showcaser by the name of Jeff Haynie, a wonderfully accomplished career artist with some great tips for me! It was also fun talking with all of the great people who stopped by my table to flip through my portfolio and chat. It was especially hart warming the sheer number of "big name" illustrators and art directors who took the time to visit and chat with each and every showcase artist.





Speaking of "big names" my inner fan girl was delighted to finally meet a childhood hero at this Illuxcon: Greg Hildebrandt! Best known for the work he did with his (now passed) twin brother Tim on the Lord of the Rings calendars in the 70s and 80s, he also lavishly illustrated a huge stack of classic stories and fairytale. These books, which I have collected for years, were one of my earliest influences and could very rightly be credited with inspiring me down the artistic path I now travel. Now in his 70s, he is a vibrant and energy filled character, who still paints 7 days a week (he's doing more pin-up art these days) and can regal you for hours with stories of the art world that he has lived through. He was also kind enough to give me a portfolio critique and much encouragement!




And then there was the "Art Jam" where fellow illustrators with musical talent played for the rest of us.... Some really multi-talented guys and gals among us. And hanging out in the bar and lobby of the Ramada, which was a great way to get some extra portfolio swaps in and chat with some amazing people. It was absolutely amazing to see how much of a community this event has birthed.








Special thanks to the love of my life, Chris, for driving me all over Altoona, and standing at my side in every other aspect of this crazy wonderful trip.... I'm one lucky girl to have such and involved and supportive partner.



More of my personal take-aways to follow in a later post, and there are many. But to some it up: IlluXcon 3 = Amazing. I am worn out but very glad to have attending, as I've seen in many a fellow IlluXconer's facebook post: next year's can't come soon enough!

Illuxcon Prep!

So finally it is all here! A number of 12"x18" prints (from Kessler Color), postcards and business cards from moo.com and some nifty clear acrylic displays from cleardisplays.com.

Can you tell what images are new for this year? ;) (I'll of course be bringing a huge backlog of older prints with me as well.)

Very excited about attending this year's Illuxcon... come see me at the Showcase event!

Autumn Magic

Time to show off my last personal piece before Illuxcon! =)

Autumn Magic had its beginnings in a morning sketch... but initially it wasn't a "fall" piece at all. It was a child sitting over a mini tree (I wasn't necessarily thinking bonsai) and behind him a giant/old tree. The fall colors crept in when I went to do the color sketch. Surely inspired by the gorgeous autumn weather we've been having here these past few weeks... And the leaves she is "magic-ing" just seemed a perfect fit.

The Hare King!

New personal artwork! I've been working hard lately to rearrange my time and schedule so that I can put more energy toward personal pieces. This is the first piece to come out of such efforts.

The concept came from one of my mid-morning sketchbook brainstorms over jasmine-green tea. It was the glimpse of a young boy standing in a circle of snow hares, being crowned their king. Like many of my self-motivated pieces, the image did not need to arise from a full understanding of an entire story, but rather came from trying to fully envision and illustrate the scene I had snared in my mind's eye. I'm still having fun imagining the story behind the scene...

IlluXcon 2009!

I just got home from IlluXcon in Altoona, PA. Chris and I traveled and roomed with fellow illustrator Cynthia Sheppard and her husband, which was a ton of fun... and very very helpful, as Cynthia went to the first ever IlluXcon last year and was a wonderful guide for this one =)


The Main Show, Altoona Heritage Center


Structurally the convention has a few main "areas" of interest:

1.) The show at the Heritage Center in downtown Altoona. This is the most amazing display of fantasy and science fiction artwork to ever occupy the same space. We're talking originals by Donato Giancola, Michael Whelan, and Brom here. And, even better, 99% of the artists displaying were there behind their tables ready to chat or sign a print.

2.) Networking, ie hanging out. This might actually be the #1 attraction. Freelancing can be a lonely business... one of the biggest highlights of the convention was getting to chill with fellow illustrators. I've never been too keen on bars, but the bar at the Ramada on Friday and Saturday nights when it is jam packed with awesome illustrators is another matter all together.

3.) Portfolio reviews, both formal and informal. There is nothing that beats exchanging portfolios, giving and taking critique with the best in your field. I was absolutely floored by the useful and encouraging comments I received, by the "greats" who took the time to sit down with me and help show me the next steps in my path. A very deep and special thanks to: Ruth Sanderson, Dan Dos Santos, Jeremy Cranford, and Lou Anders.

4.) The convention programming. Here I must admit I didn't go to nearly everything... but things I did attend, such as the Art Director Q&A and the "Art of Self Promotion" were quite helpful. We spent a good deal of the car ride home, brainstorming/daydreaming about how various items on the list could be expanded next year.

5.) The fledgling "Saturday Night Showcase." Where those of us not in the main show were able to show and sell prints from our own tables. -I can't wait to see how this expands next year.

And so much more...

Cynthia and I also started an interesting thing with my Nintendo DSi and the homebrew application Colors! The "game" involves one artist starting a sketch, then passing it to the next participant, who adds to the image and so on. As you can imagine, this is huge fun in a room of illustrators. Below are the collaborative sketches from this year. Cynthia and I worked primarily on the first two, then as part of a group (including Zelda and Christine) on the later two.















What I personally took away from the convention to follow in a later entry.